Gabriela Aceves-Sepúlveda
Birthdate: 1973
Birthplace: Mexico
Based location: Vancouver, British Columbia, Canada
Social profiles
Gabriela Aceves-Sepúlveda artist website
Gabriela Aceves-Sepúlveda faculty profile
Gabriela Aceves-Sepúlveda Vimeo profile
Gabriela Aceves-Sepúlveda Academia profile
Gabriela Aceves-Sepúlveda Arte Informado profile
Gabriela Aceves-Sepúlveda artist profile at Vucavu Video
Gabriela Aceves-Sepúlveda collaborator profile at Aging Activism
cMAS (Critical Media Arts Studio) website
Biography
Gabriela Aceves-Sepúlveda (born 1973, Guadalajara, Mexico)
Gabriela Aceves-Sepúlveda is a Mexican art history scholar and media artist based in Vancouver, British Columbia. Gabriela holds a bachelor of arts in graphic design from the Universidad Autónoma de Guadalajara in Mexico, a master of arts in art history from the University of British Columbia, a master of fine arts from York University, and also holds a PhD in history from the University of British Columbia. She is an associate professor in the School of Interactive Arts and Technology at Simon Fraser University, where she leads the cMAS (Critical Media Arts Studio), an interdisciplinary research studio. Gabriela is the author of Women Made Visible: Feminist Art and Media in Post-1968 Mexico (University of Nebraska Press, 2019) and many articles in academic journals. She is an active member of art/mama collective, which was created in 2016 and is based in Vancouver. Gabriela leads the Creative Media Responses to Diasporic Writing project by Light Factory Publications.
Gabriela’s studio work is instructed by theoretical research about Latin American women, race, and the body in relation to feminist history, from which she creates video sculptures and sound recordings. Gabriela has exhibited at Surrey Art Gallery Urban Screen, in international and national exhibitions including Bodies as Borders: Traces and Flows of Connection (2022) and The Real, the Virtual and the We (Re-activating Lygia Clark’s The I and the You: Body/Clothing/Body, 1967) (2016) at Vivo Media Art in Vancouver and Harbour/Haven – thirstDays No. 03 (2016) curated by Denise Ryner and Tonel and Jayce Salloum at Media Art Centre, Vancouver.
Solo exhibitions
Gabriela Aceves-Sepúlveda project description Remediating Mama Pina’s Cookbook, 2015
Gabriela Aceves-Sepúlveda press release solo exhibition Remediating Mama Pina’s Cookbook, Grunt Gallery, Vancouver, 2015
Gabriela Aceves-Sepúlveda solo exhibition Remediating Mama Pina’s Cookbook, Grunt Gallery, Vancouver, 2015
Collective exhibitions
Gabriela Aceves-Sepúlveda press release by Tom Zillich, collective exhibition Body as Border: Traces and Flows of Connection outdoors at Urban Screen, Surrey Gallery, Vancouver, 2022
Gabriela Aceves-Sepúlveda review by Gail Johnson, collective exhibition Body as Border: Traces and Flows of Connection, outdoors at Urban Screen, Surrey Gallery, Vancouver, 2022
Gabriela Aceves-Sepúlveda press release by Tom Zillich, collective exhibition Body as Border: Traces and Flows of Connection, outdoors at Urban Screen, Surrey Gallery, Vancouver, 2022
Gabriela Aceves-Sepúlveda press release by Tom Zillich, collective exhibition Body as Border: Traces and Flows of Connection, outdoors at Urban Screen, Surrey Gallery, Vancouver, 2022
Gabriela Aceves-Sepúlveda press release collective exhibition Harbour/Haven – thirstDays No. 03,curated by Denise Ryner and Tonel and Jayce Salloum at Media Art Centre, Vancouver, 2016
Interviews
Gabriela Aceves-Sepúlveda interview by Carrie Ida Edinger, 2019
Presentations
Gabriela Aceves-Sepúlveda chair participation at the Conference of the Universities, Art Association of Canada, 2022
Gabriela Aceves-Sepúlveda artist talk schedule RE: SOUND, the 8th International Conference on the Histories of Media Arts at Aalborg, Denmark, 2019
Gabriela Aceves-Sepúlveda panel discussion Visualizing Global Networks at Global Art Challenges Conference, Universitat de Barcelona, Barcelona, 2016
Gabriela Aceves-Sepúlveda panel discussion Visualizing Alternative Cartographies of Artistic Exchange During the Global Sixties El Corno Emplumado Mexico City 1962-69, at Global Art Challenges Conference, Universitat de Barcelona, Barcelona, 2016
Published work by Gabriela Aceves-Sepúlveda
Gabriela Aceves-Sepúlveda book review of Erica Segre’s Intersected Identities: Strategies of Visualization in Nineteenth and Twentieth-Century Mexican Culture
Gabriela Aceves-Sepúlveda article “Mitochondrial Crossings prOphecy sun,” 2021
Gabriela Aceves-Sepúlveda sound recording “Mitochondrial Crossings prOphecy sun,” 2021
Gabriela Aceves-Sepúlveda publication "Digital Resources: Museo de Mujeres Artistas Mexicanas," MUMA, 2020
Gabriela Aceves-Sepúlveda article “Arte, Contraculture y Política: La guerra fría a través de el corno emplumado/the plumed horn, 1962-1969,” 2018
Gabriela Aceves-Sepúlveda panel Archiving Digital Heritage at International Symposium on Electronic Art Symposium (ISEA), 2017
Gabriela Aceves-Sepúlveda article ‘¿Cosas de Mujeres?’, Feminist Networks of Collaboration in 1970s Mexico,” Artelogie Recherches sur les arts, le patrimoine et la littérature de l’Amérique latine, 2013
Gabriela Aceves-Sepúlveda thesis MA “Art and Posibility: from Nationalism to Neoliberalism the cultural intervention of Banamex and Televisa”, 2007
Published work about Gabriela Aceves-Sepúlveda
Unavailable content found online, section to be updated.
Press release
Gabriela Aceves-Sepúlveda Art Mamas programming, Access Gallery, Vancouver, 2021
Gabriela Aceves-Sepúlveda press release Art Mamas by Mark Mushet, 2019
Gabriela Aceves-Sepúlveda press release Artist Talk + Film, New Media Gallery, British Columbia, 2016
List of Grants, Awards and Projects
Unavailable content found online, section to be updated.