Ana María Millán’s practice addresses the politics of animation in relation to digital cultures and subcultures, gender and propaganda. She has developed techniques based on role-playing and reenactment, using animation as a methodology to create a series of plays that ultimately become narrative films. It speaks from amateur cultures, pop political culture, sound territories and technology to develop flawed and dysfunctional narratives. Her work has been shown in Art Encounters Biennial, Timișoara, Romania 2019; Kunstinstituut Melly (solo), curated by Sofía Hernández Chong Cuy and Rosa de Graaf, Rotterdam; Immortality for all, Savvy Contemporary , Berlin 2016; AUTO-KINO! presented by Phil Collins, Temporäre Kunsthalle, Berlin 2009 and I Still Believe in Miracles – part I, Musée d’Art Moderne de la Ville de Paris 2005 among others.

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